Dude, I know I've already told you, but I love both of these so much. The bright fantastic clamour and excitement of the first one--with House and Wilson both being completely laidback about the presence of the dragon behind them, focusing on each other instead--is so perfect for them. I think what struck me most about it, especially when I zoomed in, was the details of the Londong cityscape. The way you've added details to the buildings, and the shadows, and Big Ben! Man, that's perfect. I've been there and I just thought, I totally know where that is! Hee, and all the tiny details, like the lamb, and the decals on Wilson and House's shirts. Awesome.

The contrast with the second one makes it even more powerful, I think. I want to say it's "sepia-toned", but that's with browns, and this is with greens. I think the effect is similar, though. The muted emotions, the sadness, the uncertainty--the palette you've chosen is just perfect for the feeling of the scene. And nobody's quite looking at anyone else...there's a lack of connection, a solitariness about each of the three of them. Really wonderfully expressive.

AND ALL OF IT DONE ON A PINCH HITTER'S TIMELINE ZOMG. YOU ARE MY HERO.